Category Archives: and Revelation

Considering Marion’s Gift: Receptivity, Dependence, and Enjoyment vs Possession in the Prodigal Son

[Find part I of this series here.]

Few would quarrel with Jean-Luc Marion’s claim that the parable of the prodigal son speaks to themes of ownership and possession. It may be more contentious to claim, as Marion does, that this parable promotes the virtue of ongoing dependence and use and strikes against an ethic of self-funding and ownership. And it may sound simply foreign to contend that the prodigal son teaches us how to relate to and encounter truth and the good: as a reception of excessive grace in an ongoing posture of praise and dependence. And yet, I find Marion’s exposition of this parable one of the most compelling presentation of God Without Being’s recurring themes of receptivity, dependence, and enjoyment/use vs possession. Continue reading Considering Marion’s Gift: Receptivity, Dependence, and Enjoyment vs Possession in the Prodigal Son

Considering Marion’s Gift: Prefatory Remarks

For the past year and a half or so, few books have held me as captive as Jean-Luc Marion’s God Without Being. The volume of posts on this blog working with this text is probably an indication of this. Some of my captivation lies in the fact that I am interested in the ways the church can and should claim, name, and confess its central loyalty to Jesus. This is a tricky task. It is not easy to avoid claiming instead the various idols that close us off from Jesus speaking in unexpected places and hold our attention on the voices of false gods. Into such thinking, Marion’s rigorous and evocative efforts to allow for the worship of a God that comes to us as the gift of cruciform love, outside of the logics of Being, speaks with a great deal of potentiality. In this series of posts I want to consider the ways that Marion may be helpful for thinking about the church’s confession of faith and the political formations that might happen with confession of faith. My next post will consider themes of receptivity, dependence, enjoyment, and use vs possession, after which I will consider some of the paternalistic and conservative undertones and implications in these themes. First I will conclude this post with some remarks about Marion’s critique of idolatry and the stakes that I believe are present in his presentation. Continue reading Considering Marion’s Gift: Prefatory Remarks

The Idolatry of Genius, part 2

If what we tend to call genius is idolatry, can there be any authentic creation? If, as I suggested in my previous post, our geniuses are better thought of as workers, again and again making an effort at an incomplete expression while enmeshed in a world of influences and indebtedness, is there only ever context? Geniuses are those who break with convention, define a new era, and pull free from the world’s determining strings. They are where we can find what is new; they are the innovators, visionaries, and pioneers. At their most profound geniuses are those whose creations create, sustain, and define a world, rather than the world defining them. If we say that this image of genius is an idol, a perfect image held in front of us that thwarts good work, can we still claim a genuine and generative power in art? In this post, I hope to begin to indicate a way forward with Jean-Luc Marion’s descriptions of the icon. Continue reading The Idolatry of Genius, part 2