Recently I put together an event that centered around Huw Morgan’s work for organ and electronics called “Adam’s Fall.” Here is my performance of the work on August 26, 2014 in Winnipeg Manitoba.
“Huw Morgan’s Adam’s Fall, meanwhile, was originally commissioned by Michael Bonaventure and was first performed at the Kunst-Station Sankt Peter in Köln in 2010. Morgan has described the piece as “a fixed electronics track comprising of five repetitions of a set of six chords (taken from the closing cadence of Bach’s harmonization of the chorale Durch Adam’s Fall) [which] is played while the organist improvises from a pitch-set derived from those chords. Each recorded statement is fractionally flattened and sharpened in alternation in a converging pattern, creating a dialogue between the absolute pitch of the organ and the variable pitch of the electronics.”
Put simply, the fixed electronics track is never in tune with the organ. It always misses its mark and often does so significantly. In this way, Adam’s Fall becomes an analogy for humanity, which continually seems to bend out of tune. And yet, the continuing attempts to repair this brokenness allows the light of redemption to break through the cracks.” – Joel Peters
https://www.youtube.com/watch?v=uHRZOV8-9tY (Canadian Premiere)